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Mr. Potter

Audiobook
1 of 1 copy available
1 of 1 copy available
A great writer's lush, panoramic novel: the story of an ordinary man, his century, and his home.Jamaica Kincaid's first obsession, the island of Antigua, comes vibrantly to life under the gaze of Mr. Potter, an illiterate taxi chauffeur who makes his living along the wide, open roads that pass the only towns he has ever seen and the graveyard where he will be buried. The sun shines squarely overhead, the ocean lies on every side, and suppressed passion fills the air. Misery infects the unstudied, slow pace of this island and of Mr. Potter's days. As the narrative unfolds in linked vignettes, his story becomes the story of a vital, crippled community. Kincaid strings together a moving picture of Mr. Potter's ancestors—beginning with memories of his father, a poor fisherman, and his mother, who committed suicide—and the outside world that presses in on his life, in the form of his Lebanese employer and, later, a couple fleeing World War II. Within these surroundings, Mr. Potter struggles to live at ease: to purchase a car, to have girlfriends, to shake off the encumbrance of his daughters—one of whom will return to Antigua after he dies and tell his story with equal measures of distance and sympathy. In Mr. Potter, her most luminous, ambitious work to date, Kincaid breathes life into a figure unlike any in contemporary fiction, an individual consciousness emerging gloriously out of an unexamined life.
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    • Publisher's Weekly

      Starred review from March 11, 2002
      A tinted review in adult Forecasts indicates a book that's of exceptional importance to our readers, but hasn't received a starred or boxed review. MR. POTTER Jamaica Kincaid. Farrar, Straus & Giroux, $18 (144p) ISBN 0-374-21494-8 Kincaid follows up My Brother
      and Autobiography of My Mother
      with another unsentimental, unsparing meditation on family and the larger forces that shape an individual's world. The novel follows the life of one man, Mr. Potter, from his birth to his death (not necessarily in that order) on the Caribbean island of Antigua. Mr. Potter, a native Antiguan of African descent, works as a chauffeur for a Mideastern immigrant and then for himself. His world is full of displaced persons—a client who is a Holocaust refugee, a lover from the island of Dominica—but Mr. Potter gives no thought to his own displacement or the events in the wider world that have brought these people together. In fact, he doesn't think about very much besides securing creature comforts; at the book's opening, he is unreflective and unselfconscious—"between him and all that he saw there was no distance of any kind." But what seems like a conventional narrative about a man's coming to consciousness becomes something quite different as the reader gradually gets to know the book's narrator, one of Mr. Potter's many illegitimate daughters, who slowly reveals her relationship to her father and whose voice comes to dominate the story. As in her previous books, Kincaid has exquisite control over her narrator's deep-seated rage, which drives the story but never overpowers it and is tempered by a clear-eyed sympathy. Her prose here is more incantatory and hypnotic than ever, with repeating phrases ("And that day, the sun was in its usual place, up above and in the middle of the sky, and it shone in its usual way, so harshly bright...") that can occasionally seem mannered. This, however, is a relatively rare occurrence in an otherwise taut and often spellbinding novel. (May)Forecast:After a number of pleasing but peripheral nonfiction projects (
      My Garden (Book): and
      Talk
      Stories), Kincaid returns to fiction.
      With My Brother (a memoir) and
      Autobiography of My Mother (a novel),
      Mr. Potter forms a kind of loose, autobiographical family series and should win the same acclaim and interest as its predecessors.

    • AudioFile Magazine
      Fifteen years after it appeared in print, this fictionalized account--and accounting--of the novelist's father and her childhood viewpoint of him finds a vehicle in Robin Miles's exquisite narration. She provides it with genuineness and humanity that seem lacking on the page. Employing a range of emotional tones in a consistent and accurate Caribbean accent, Miles turns Mr. Potter from problematic to human, albeit flawed: He's flagrantly misogynistic and has no discernible interest in personal reflection. Kincaid's take, however, creates a man who is believable and a relationship, from her viewpoint, that is not quite sympathetic but at least perceptive of his character independent of what she needs from a father. F.M.R.G. Winner of AudioFile Earphones Award © AudioFile 2017, Portland, Maine

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