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Miranda Fitch's life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now, she's on the verge of losing her job as a college theater director. Determined to put on Shakespeare's All's Well That Ends Well, the play that promised and cost her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.
That's when she meets three strange benefactors who have an eerie knowledge of Miranda's past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what's coming to them, and the invisible doubted pain that's kept her from the spotlight is made known.
With prose Margaret Atwood has described as "no punches pulled, no hilarities dodged...genius," Mona Awad has concocted her most potent, subversive novel yet. All's Well is a "fabulous novel" (Mary Karr) about a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.
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Creators
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Publisher
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Release date
August 3, 2021 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781797126098
- File size: 378529 KB
- Duration: 13:08:36
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Languages
- English
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Reviews
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Publisher's Weekly
May 24, 2021
The pill-addled theater professor at the center of Awad’s scathing if underwhelming latest (after Bunny) is nearing the end of her rope. Miranda Fitch passes her days in a self-medicated haze, numbing the debilitating pain she’s felt since falling off the stage in a production of Shakespeare’s All’s Well That Ends Well. Worse still, no one seems to believe the severity of her condition. After the cast of her student production insists on putting on Macbeth rather than All’s Well, Miranda is approached at a bar by three mysterious men who give her the ability to transfer her pain to others. In the first instance, she wrests a script from a mutinous student, who then clutches her wrist in pain where Miranda touched her. Eventually, Miranda’s elation at escaping her pain gives way to a dangerously vindictive, manic spiral. Awad’s novel is, like Miranda says about Shakespeare’s All’s Well, “neither a tragedy nor a comedy, something in between.” Unfortunately, it falls short on both counts: Miranda’s acerbic inner monologue reaches for humor but mostly misses, and the overwrought tone undermines the story’s tragedy (when asked why she wanted to teach at the college: “I thought: Because my dreams have been killed. Because this is the beginning of my end”). It’s an ambitious effort, but not one that pays off. Agent: Bill Clegg, the Clegg Agency. -
AudioFile Magazine
After a tragic accident, Miranda suffers constant excruciating pain. Narrator Sophie Amoss keeps this story engrossing, despite its focus on pain and depression. Forced to give up her promising acting career, Miranda teaches and directs theater at a small college. This year she's scheduled a production of ALL'S WELL. Amoss delivers harrowing descriptions of Miranda's years of agonizing treatments and self-medicating. Finally, thanks to three mysterious men and their "golden remedy," Miranda's pain ebbs, and Amoss captures her amazement. But now the female lead in ALL'S WELL is in excruciating pain, and everyone believes Miranda's responsible. Reality is slippery in this novel, but Amoss's performance will keep listeners tuned in. S.J.H. © AudioFile 2021, Portland, Maine
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